All CAPRIOLO, Domenico Oil Paintings
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CAPRIOLO, Domenico Portrait of a Man df oil painting


Portrait of a Man df
Painting ID::  5708 		Artist: CAPRIOLO, Domenico
Painting: Portrait of a Man df
Introduction: 1511 Oil on canvas, 117 x 85 cm The Hermitage, St. Petersburg
   
   
     

 

 

 
 

 

 

 
CAPRIOLO, Domenico Portrait of a Gentleman oil painting


Portrait of a Gentleman
Painting ID::  29295 		Artist: CAPRIOLO, Domenico
Painting: Portrait of a Gentleman
Introduction: mk65 1512 Oil on canvas 46x33 1/2"
   
   
     

 

 

 
 

 

 

 
CAPRIOLO, Domenico Portrait of a man oil painting


Portrait of a man
Painting ID::  40981 		Artist: CAPRIOLO, Domenico
Painting: Portrait of a man
Introduction: mk159 1512 Oil on canvas 117x85CM
   
   
     

 

 

 
 

 

 

 
CAPRIOLO, Domenico Self portrait oil painting


Self portrait
Painting ID::  81730 		Artist: CAPRIOLO, Domenico
Painting: Self portrait
Introduction: 1512(1512) Medium Oil on canvas cyf
   
   
     

 

 

 
 

 

 

 
CAPRIOLO, Domenico Self rtrait oil painting


Self rtrait
Painting ID::  82916 		Artist: CAPRIOLO, Domenico
Painting: Self rtrait
Introduction: 1512(1512) Medium Oil on canvas cyf
   
   
     

 

 

 
 

 

 

 
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     Check All CAPRIOLO, Domenico's Paintings Here!
     Italian painter, Venetian school (b. 1494, Venezia, d. 1528, Treviso) Italian painter. He moved from Venice to Treviso c. 1517, where he is well documented (though there is little about his painting). In 1518-19 he married Camilla, daughter of the painter Pier Maria Pennacchi. A coherent body of work executed between 1518 and 1528 has been reconstructed. Capriolo's first secure work, the Adoration of the Shepherds (Treviso, Mus. Civ.), signed and dated 1518, has a formal structure reminiscent of the late style of Giovanni Bellini, with the broader chromatic range of Palma Vecchio and a crepuscular light that recalls the Venetian works of Giovanni Girolamo Savoldo or Giovanni da Asola ( fl 1512-31). The Assumption in Treviso Cathedral, commissioned in 1520, shows, in its spiralling movement, the influence of the contemporary frescoes of Pordenone in the nearby Malchiostro Chapel. In the Legend of the Doubting Midwife (Treviso, Mus. Civ.), signed and dated 1524, the influence of Savoldo is greater than that of Palma. This is also apparent in the altarpiece of the parish church of Ponzano Veneto (Treviso), dated 1525. The portrait of Lelio Torelli (Barnard Castle, Bowes Mus.), signed and dated 1528, Capriolo's last known work, seems by contrast to reflect local models of portraiture and lies somewhere between the styles of Sebastiano Florigerio and Bernardino Licinio. Other works assigned to Capriolo include: the altarpieces of the parish churches of Cavasagra and Spercenigo, near Treviso; the Adoration of the Shepherds in the sacristy of Serravalle Cathedral at Vittorio Veneto; a fragment of a Nativity (Venice, Mus. Correr); two paintings of the Virgin and Child with Saints (Bucharest, Mus. A.; Conegliano, Mus. Civ. Castello). . Related Artists to CAPRIOLO, Domenico : | johann christian Claussen Dahl | Herring, John F. Sr. | Lucas de Heere | George H Story | Anna Boberg |

 

 

 
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